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A Tribute to Louis and Ella

Naples Philharmonic Pops

Hayes Hall

Image of Carmen Bradford, vocalist, in a promotional portrait
Image of Byron Stripling, trumpet and vocalist in a promotional portrait
Image of Stuart Chavez in a promotional portrait
Image of members of the Naples Philharmonic on stage during a performance of pops music
Image of members of the Naples Philharmonic on stage during a performance of pops music
Feb 25, 8:00pm – Feb 29, 8:00pm
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A Tribute to Louis and Ella

Naples Philharmonic
Pops Series

Stuart Chafetz, conductor
Byron Striplingtrumpet and vocalist
Carmen Bradfordvocalist

LaRocca,Edwards,Ragas/Arr. Grimes — Tiger Rag
Joe Primrose/Arr. Tyzik — Saint James Infirmary
Fitzgerald/Feldman — Tisket A Tasket
Sam Coslow/Fitzgerald — Mr. Paganini
Gershwin/Arr. Riddle — I Got Rhythm
McHugh,Fields — I Can’t Give You Anything But Love
Gershwin arr. Riddle — But Not For Me
Gershwin — They Can’t Take That Away From Me
Stripling/Arr. Mackrel — Satchmo Scatin’ & Swingin’
Handy/arr. Tyzik — Saint Louis Blues
Spencer Williams — Basin Street
Gershwin Arr. Riddle — I Won’t Dance
Gershwin Arr. Riddle — Someone To Watch Over Me
Gershwin — A Foggy Day
Gershwin Arr, Riddle — Love Is Here To Stay
Traditional/Arr. — Tyzik Bill Bailey

Celebrating Louis Armstrong and Ella Fitzgerald, two icons of jazz and popular music. Don’t miss an evening with special guests Byron Stripling and Carmen Bradford as they bring the music of this iconic duo to life.

The Naples Philharmonic Pops series is generously endowed by Mike and Anne Armstrong.

Byron Stripling

Byron Stripling

Byron Stripling’s electrifying and heartfelt tribute to Louis Armstrong has become America’s most popular orchestral pops program. With his engaging rapport, jazzy vocals and virtuosic trumpet sounds, Stripling dazzles audiences wherever he goes.

Since his Carnegie Hall debut with Skitch Henderson and the New York Pops, Stripling has become a pops orchestra favorite, soloing with the Boston Pops Orchestra, National Symphony Orchestra, Pittsburgh Symphony Orchestra, Minnesota Orchestra, Detroit Symphony Orchestra, Vancouver Symphony Orchestra and Toronto Symphony Orchestra, to name a few. He has been a featured soloist at the Hollywood Bowl and on the PBS television special, Evening at Pops, with conductors John Williams and Keith Lockhart. Currently, Stripling serves as artistic director and conductor of the highly acclaimed Columbus Jazz Orchestra.

Stripling earned his stripes as lead trumpeter and soloist with the Count Basie Orchestra, under the direction of Thad Jones and Frank Foster. He has played and recorded extensively with the bands of Dizzy Gillespie, Woody Herman, Dave Brubeck, Lionel Hampton, Clark Terry, Louie Bellson and Buck Clayton, in addition to the Jazz at Lincoln Center Orchestra, The Carnegie Hall Jazz Band and the GRP All-Star Big Band.

Carmen Bradford

Carmen Bradford

Born in Austin, Texas, and raised in California, Carmen Bradford grew up with music in her home and in her heart. It was only natural that she would follow in the footsteps of her great family legacy, being the daughter of legendary trumpeter/composer Bobby Bradford and world-renowned vocalist/composer Melba Joyce. Her grandfather, Melvin Moore, sang with Lucky Millender and Dizzy Gillespie’s big band in the 1940s, making Carmen the third generation of incredible musicians. Carmen Bradford is jazz royalty.

Bradford was discovered and hired by William “Count” Basie and was the featured vocalist in the legendary Count Basie Orchestra for nine years. She began another chapter in her illustrious career as a solo artist with her critically acclaimed debut album, Finally Yours (Evidence Records), in 1992. The 1995 release of her second solo album, With Respect (Evidence Records), established the Atlanta-based singer as one of jazz music’s most diverse and exciting vocalists.

Whether it’s a duo concert with Shelly Berg, big band with the ladies of DIVA or performing with symphony orchestras around the world, Bradford’s body of work reflects a vast depth of musical experience and technical brilliance. She is also recognized for the overwhelming passion she brings to her interpretation of songs. Bradford has truly contributed to the perpetuation and preservation of the great American art form called jazz.

Stuart Chafetz

Stuart Chafetz

Stuart Chafetz is the Principal Pops Conductor of the Columbus Symphony. Chafetz, a conductor celebrated for his dynamic and engaging podium presence, is increasingly in demand with orchestras across the continent. This season, Chafetz will be on the podium in Detroit, Houston, Milwaukee, Naples, Philadelphia, Pittsburgh, Seattle and Vancouver. He enjoys a special relationship with The Phoenix Symphony, which he leads in multiple programs annually.

He’s had the privilege to work with renowned artists including Chris Botti, 2 Cellos, Hanson, Rick Springfield, Michael Bolton, Kool & The Gang, Jefferson Starship, America, Little River Band, Brian McKnight, Roberta Flack, George Benson, Richard Chamberlain, The Chieftains, Jennifer Holliday, John Denver, Marvin Hamlisch, Thomas Hampson, Wynonna Judd, Jim Nabors, Randy Newman, Jon Kimura Parker and Bernadette Peters.

He previously held posts as resident conductor of the Milwaukee Symphony Orchestra and associate conductor of the Louisville Orchestra. As principal timpanist of the Honolulu Symphony for 20 years, Chafetz would also conduct the annual Nutcracker performances with Ballet Hawaii and principals from the American Ballet Theatre. It was during that time that Chafetz led numerous concerts with the Maui Symphony and Pops. He has led numerous Spring Ballet productions at the world-renowned Jacobs School of Music at Indiana University.

In the summers, Chafetz spends his time at the Chautauqua Institution, where he conducts the annual Fourth of July and Opera Pops concerts with the Chautauqua Symphony Orchestra in addition to his role as that orchestra’s timpanist.

When not on the podium, Chafetz makes his home near San Francisco, California, with his wife, Ann Krinitsky. Chafetz holds a bachelor’s degree in music performance from the College-Conservatory of Music at the University of Cincinnati and a master’s from the Eastman School of Music.


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