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Alex Katz: Stage and Screen

with Kevin Lotery, Ph.D.
The Baker Museum Exhibition Lecture

Kevin Lotery, Ph.D.
Nov 8, 10:00am

   Ubben Event Space

Lecture

The Baker Museum presents Alex Katz: Stage and Screen
with Kevin Lotery, Ph.D.


Kevin Lotery, Ph.D., Assistant Professor of Modern & Contemporary Art at Boston College, Art, Art History, and Film Department

Since the beginning of his artistic life, Alex Katz has drawn conceptual and technical resources from the world of dance, performance and the theater. His collaborations with key choreographers and playwrights — including Laura Dean, Kenneth Koch and Paul Taylor — are crucial episodes in the development of cross-disciplinary thought in post-World War II American art, whether of the Abstract Expressionist or Pop variety. But his collaborations in theater and dance also open up intriguing questions specific to Katz’s own approach to painting as a collaborative encounter between image, surface, architecture and body.

This lecture will consider the role of the various theatrical proscenia — the screens, stages, surfaces, hinges and thresholds — that condition Katz’s work and its relation to other forms of image-making, from advertising to cinema. A particular focus will be on Katz’s late collaborations with Taylor — particularly the pivotal dance Last Look (1986) and related paintings. In these works, we see haunting glimpses of the kinds of dances, gestures and movements needed for a contemporary culture of infinite, and infinitely automated, image circulation.

This presentation is part of the exhibition Alex Katz: Theater and Dance.

All exhibition lecture tickets include same-day admission to The Baker Museum.

Kevin Lotery

Kevin Lotery


Kevin Lotery is an assistant professor of modern and contemporary art at Boston College. He is the author of The Long Front of Culture: The Independent Group and Exhibition Design (October Books/MIT Press, 2020) as well as essays on Tacita Dean, Richard Hamilton, Alex Katz, Siegfried Kracauer and Robert Morris. Lotery also contributed an essay on theatrical or scenographic approaches in contemporary art to the Routledge Companion to Scenography (2017). His current research explores the last works of artists, writers and filmmakers whose work stemmed, at least in part, from the experience of the Holocaust and its generational transmission, such as Kracauer, Claude Lanzmann and Chantal Akerman.

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