Royal Concertgebouw Orchestra
Visiting Orchestra Series
The world's greatest orchestras on tour
Daniel Harding, conductor
Pierre-Laurent Aimard, piano
Guillaume Connesson — Eiréné: Poème Nocturne pour Orchestre
Beethoven — Piano Concerto No. 5, “Emperor”
R. Strauss — Ein Heldenleben
Mozart — Symphony No. 40 in G Minor
Brahms — Symphony No. 4 in E Minor, Op. 98
The 2018-19 season includes the Artis—Naples debut of the Royal Concertgebouw Orchestra. Based in Amsterdam, the Royal Concertgebouw Orchestra is one of Europe’s finest. The RCO’s string section has been called "velvety," the sound of the brass "golden," the timbre of the woodwinds "distinctly personal" and the percussionists have an international reputation. This is only the second time the orchestra has performed in Florida.
All Visiting Orchestras tickets include same-day admission to the Hayes Hall Galleries. In addition, the doors to Hayes Hall open 60 minutes prior to this performance. Arrive early to enjoy the Hayes Hall Galleries and light fare at the cafe.
Daniel Harding is Music Director of the Orchestre de Paris. He is also Music Director of the Swedish Radio Symphony Orchestra, with whom in 2017 he celebrates his 10-year anniversary, and Conductor Laureate of the Mahler Chamber Orchestra, with whom he has worked for over 20 years. In the 2014/15 season he devised and curated the celebrated Interplay Festival with the Swedish Radio Symphony Orchestra, presenting a series of concerts and related inspirational talks and installations involving artists, academics, scientists and philosophers. The influential programming continues to be a popular feature at Berwaldhalle. A renowned opera conductor, his current projects include Teatro alla Scala, Milan, the Teatro Reggio Turin, the Wiener Staatsoper and the Aix-en-Provence Festival. He continues to work regularly with the Wiener Philharmoniker, Berliner Philharmoniker, Bayerischer Rundfunk Orchestra Munich, Filarmonica della Scala Orchestra, Dresden Staatskapelle and the London Symphony Orchestra. He is a qualified airline pilot.
Widely acclaimed as a key figure in the music of our time and as a uniquely significant interpreter of piano repertoire from every age, Pierre-Laurent Aimard enjoys an internationally celebrated career. In recognition of a life devoted to the service of music he was awarded the prestigious 2017 International Ernst von Siemens Music Prize.
Aimard performs throughout the world each season with major orchestras under conductors including Esa-Pekka Salonen, Peter Eötvös, Sir Simon Rattle and Vladimir Jurowski. He has been invited to curate, direct and perform in a number of residencies, with projects at Carnegie Hall, New York’s Lincoln Center, Vienna’s Konzerthaus, Berlin’s Philharmonie, Frankfurt’s Alte Oper, the Lucerne Festival, Mozarteum Salzburg, Cité de la Musique in Paris, the Tanglewood Festival and London’s Southbank Centre. Aimard was the Artistic Director of the Aldeburgh Festival from 2009 to 2016; his final season was marked by a performance of Messiaen’s Catalogue d’oiseaux with the concerts programmed from dawn to midnight.
Born in Lyon in 1957, Pierre-Laurent Aimard studied at the Conservatoire de Paris with Yvonne Loriod and in London with Maria Curcio. Early career landmarks included winning first prize in the 1973 Messiaen Competition at the age of 16 and being appointed, three years later, by Pierre Boulez to become the Ensemble Intercontemporain’s first solo pianist.
Aimard has had close collaborations with many leading composers including Kurtág, Stockhausen, Carter, Boulez and George Benjamin. Recent seasons have included the world premieres of Harrison Birtwistle’s piano concerto Responses: Sweet disorder and the carefully careless, as well as Carter’s last piece, Epigrams, for piano, cello and violin, which was written for Pierre-Laurent. Through his professorship at the Hochschule Köln as well as numerous series of concert lectures and workshops worldwide, he sheds an inspiring and very personal light on music from all periods.
During the 2008-09 season Aimard was an Associate Professor at the College de France, Paris and he is a member of the Bayerische Akademie der Schönen Künste. He was the recipient of the Royal Philharmonic Society’s Instrumentalist Award in spring 2005 and was named ‘Instrumentalist of the Year’ by Musical America in 2007. In 2015 he launched a major online resource centred on the performance and teaching of Ligeti’s piano music with filmed masterclasses and performances of the Études and other works by Ligeti in collaboration with Klavier-Festival Ruhr.
Pierre-Laurent has made many highly successful recordings. His first Deutsche Grammophon (DG) release, Bach’s Art of Fugue, received both the Diapason d’Or and Choc du Monde de la Musique awards, debuted at Number One on Billboard’s classical chart and topped iTunes’ classical album download chart. In recent years Pierre-Laurent has been honoured with a Grammy award in 2005 for his recording of Ives’ Concord Sonata and Songs and was also presented with Germany’s Schallplattenkritik Honorary Prize in 2009. Further releases for DG—The Liszt Project in 2011 and Debussy Préludes in 2012—were joined by a new recording of Bach’s Das wohltemperierte Klavier Book 1 in 2014. He has now signed an exclusive contract with Pentatone records, his first recording being the complete Catalogue d’oiseaux released in Spring 2018.